Mike Cloud will exhibit works from Painted Clothing (2007–8), a series of collages fashioned from children’s clothing, which comments on the relationship between consumer culture and childhood through visual signifiers such as dragons, fairies, and rainbows.

To Catch a Fish presents over sixty works of craft and art that are either used in fishing or that illuminate the relationship between people and fish. Utilitarian fishing objects include hand-crafted basketry fish traps, scrapers, weights, and nets.

Fashioning Chinese Women: Empire to Modernity traces a century of transformation through more than 70 exquisite ensembles from Shanghai, Hong Kong, and America

Into the Pluriverse is a group exhibition inspired by the Zapatista term “pluriverse,” commonly understood as the multitude of realities present in a single moment. Artists Nia Lee, April Bey, and Jessica Taylor Bellamy explore how Afro-indigenous histories and cultures shape, create, and challenge our concept of truth and perception.

Visions Museum of Textile Art is honored to host the 17th Quilt Nihon, making a debut of this internationally recognized exhibition in San Diego. This exhibit features award-winning, innovative works from the biennial competition of the Japanese Handicraft Instructor’s Association (JHIA).

This exhibition presents Marita Setas Ferro’s textile sculptures as material reflections on marine ecosystems, care, and environmental precarity. Through crochet and knitting, techniques rooted in heritage and slowness, marine forms emerge as soft architectures

Three contemporary artists of South Asian descent—Suchitra Mattai, Jagdeep Raina, and Swapnaa Tamhane—transform textiles of their cultural heritage into memorials for those who have been unrecognized in public displays of historical memory.

California Fibers: The Languages of Fiber invites viewers to consider fiber as a form of communication—one that speaks through structure, material, and process.

This show explores touch as a way of thinking and knowledge shaped by texture, resistance, and the intelligence of the hand.

A Racket of Banshees: Goddesses and Monsters Re-Imagined invites viewers into a world of myth, feminist archetypes, and speculative futures. This exhibition features contemporary feminist artists across sculpture, painting, drawing, photography, video, performance, and community workshops.

PATRICIA SWEETOW GALLERY is pleased to present Future Past Tense with Esperanza Cortés (New York), Cheryl Derricotte (San Francisco), Karen Hampton (New Mexico), Asa Jackson (North Carolina) and Fay Ku (New York).

Healing with Gold: The Art of Kintsugi on Ceramics & Beyond is an exhibition featuring more than thirty contemporary artworks alongside traditional kintsugi ceramics, exploring how the centuries-old Japanese practice of repairing broken ceramics with lacquer dusted in gold has evolved from a tea ceremony tradition into a global artistic philosophy.

The Middle Room is pleased to present Speak To Me, a two-person exhibition featuring Los Angeles-based artists Joy Ray and TALA member Emily Silver.

Remember is a large-scale community installation by artist Linda Litteral consisting of 460 small house structures, each hung with a hand-knitted banner. Every stitch in every banner represents one person sexually assaulted.

Roberts Projects is pleased to present Objective Truths, a group exhibition featuring artists from the gallery’s program including Aaron Glasson, Chris Johanson, Suchitra Mattai, Evan Nesbit, Wendy Red Star and Brenna Youngblood.

The Arroyo Arts Collective and Center for the Arts Eagle Rock are excited to announce This Land Is Your Land: Stewarding the Earth Through a Changing Climate, an evocative new group exhibition tackling themes of environmental protection, sustainability, climate adaptation, and the human connection to nature.

The largest retrospective of Sudō’s textiles to date, Textile Alchemy features over 100 limited-edition textiles together with numerous objects, including drawings, sketches, raw materials, tools, mock-ups, and prototypes

Of My Own Making brings together 15 years of artwork made by Los Angeles-based artist Phyllis Green, including more than 25 insightful and witty sculptural and performative objects that interact with the body and its environs.

Artifacts from an Unborn Empire gathers artists to reconsider how civilizations are formed and who gets to define them. Through a range of natural and manufactured materials, they play with and challenge the systems, stories, and symbols that shape our sense of power, history, and belonging.

Los Angeles Sets a Table is part of LA Design Weekend. Thoughtforms Studio and Cathy Callahan have assembled an amazing line up of artists and designers to create and collaborate on pieces made especially for the show.

A group show of fiber work from Los Angeles and New York based artists.

Pattern Parade, a group show curated by Cassie McGettigan and Emily Mast, is part exhibition, part shop, part working design studio, and part printmaking playground.

Where Time Bends Softly delves into the juxtaposition of past and present, fostering a dialogue that challenges conventional perceptions of time and artistic evolution through the works of Kaloust Guedel.

Inspired by the legacy of Uhengaparaoa, a renowned Whakatōhea weaver who traveled to the East Coast of Aotearoa New Zealand to share her weaving knowledge, Uhengaparaoa, Taonga Tuku Iho brings ancient and modern Māori art into dialogue.

Three contemporary artists of South Asian descent—Suchitra Mattai, Jagdeep Raina, and Swapnaa Tamhane—transform textiles of their cultural heritage into memorials for those who have been unrecognized in public displays of historical memory.